BOUFFE – a bilingual play at Carrefour
May 6
8 pm
Admission: suggested donation of $7-10
Bouffe is a colourful, hilarious, bilingual production, created by students from Mt. A. It’s set in a fast food restaurant, and explores many social and culinary issues such as food security and eating locally.
A short discussion will follow the performance.
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Review:
Bouffe performance brings smiles to all
Submitted by Rachel Gardner on February 11, 2011
Windsor Theatre burst with laughter this past Wednesday, Thursday, and Friday as Tintamarre’s bilingual comedy, Bouffe, brought together a strong cast and a humorous storyline about the queries surrounding fast food. With priceless facial expressions, outlandish characters, eccentric costumes, and spontaneous inserts of troubling food facts, Bouffe was a performance not to be missed.
The play script follows a fast-food restaurant chain, Mister Bouffe, whose kitchen staff cook their foods based on ‘the calorie machine’ of sugar, salt, and fat, kicking out an Italian broccoli, a southern avocado, Chinese garlic, and local turnip along the way. With the guidance of the ‘agent de surface’ or sweeper, who acts as a commentator on fast-food practices of monoculture, incomes of farmers, and the pervasiveness of television marketing, the play makes a convincing, albeit hilarious, argument to reconsider our food system and eating habits. Assuredly, as the play ended with the pianist swaying his hands back and forth to the song “I’m just a little jealous of the vegetables,” the audience is left in giggles.
It was clear from the start of the show that the play was a success. The theatre was packed with students, with some sitting on stairs and in overflow sections in order to squeeze them into the performance. The crowd bustled with conversation as they waited for the performance to start, with third-year student Eric Biskupski playing piano in the background.
While this reporter has only a small background in French, which resulted in a less than comprehensive understanding of the script, the play nonetheless left a smile on my face throughout the performance. Despite language barriers, the cast was able to utilize facial expressions and body language to communicate many of the messages to the audience, or at the least, keep them laughing. Notable performances were given by ‘le patron’, played by fourth-year student Graeme Bousada, the farmer-turned-sweeper, Gothique, played by second-year student, Bernard Soubry, and the food additive with a never ending name, played by fourth-year student Hannah Gibson, all of whom captivated the audience’s attention whenever they were on stage. Some criticism is that several of the actors and actresses staging as customers were difficult to hear over their accompanying background rap music, and that greater projection would have improved this particular section of the performance.
The play’s ultimate message was conveyed in random interjections of food facts, which broke the ‘fourth wall’ between stage and reality. Throughout the play, the audience was surprised by statements such as that “the average farmer’s income is $2000 a year” and that North Americans “spend more on fast-food than we do on education,” bringing forward an underlying message about food security, locavorism, and the problems in the culture of North American food. Marketing schemes and the free market enterprise were additionally satirized as part of the comedic message of the play.
In sum, Bouffe was filled with great performances, a hilarious script, and a responsive crowd that resulted in an overall huge success. This was definitely a performance of note.